“Clothing” reveals the volatile nature of human beings that’s normally covered by the moral and ethic codes of civilized societies. Landscape painting and erotic depictions are but two kinds of art forms that speak of two cultural fantacy stereotypes. As symbolized idealogy, they best convey the bare human nature and.its desires. In other words, "Clothing" is the fig leaf that the society has placed upon individuals.

《外衣》揭示的是被文明社会道德规约遮蔽的人性舒张本性。山水画与春宫图，不过是两种类形文化遐想典型的艺术图式。作为符码化的意识指称，它最能呈示人的欲念与本性。或者可以说，“外衣”是文明社会强加于人的遮羞布。

"Awaken" was made during the 1995 World Conference on Women held in Beijing. The piece responds to the marginalized feminine art form as well as justifies the artist’s artistic standpoint and state of working that very much stray away from the mainstream context. By inscribing each Chinese character of the translated slogan of early Femenist movement, “Use your organs as you please,”   onto individual females, the artist deliberately elaborated on the topic and, through which, introduced her own view point on art.

《觉醒》乃1995年北京世妇会期间所作。是为策应处于边缘状态的女性艺术，同时也为自己疏离于中心话语的艺术主张和创作状态证言。“自由使用自己身上的器官”是早期女权运动较有代表性的口号，以汉字每字写于一女性手上，莫不如说是借题发挥，提出我自己的艺术观点。